Understanding Maternal Health and Inequities in Trenton

By Alexus Twyman

Whether receiving a minor scratch from a pet or accidentally spraining a leg on a morning jog, there is one thing that everybody wants: quality healthcare. Receiving healthcare in a prompt and efficient manner can either be life-changing or life-saving.

However, disparities in healthcare services can persist and often interfere with patients’ access to services. The healthcare industry can sometimes take implicit biases from American society, in turn affecting how certain groups are treated, according to the National Library of Medicine.

Typically, differences in health outcomes are more likely to happen to marginalized groups, such as people of color, women, people with disabilities, members of the LGBTQ+ community and individuals of lower socioeconomic status. These differences can lead to patients receiving a substandard level of care, even possibly result- ing in serious injury or death.

An area impacted by outcome disparities is maternal health, with the increased rate of maternal mortality for women of color becom- ing even more of a concern after the Supreme Court’s controversial overturn of Roe v. Wade in 2022. As reported by USA Today, some of the states with the highest mortality rates for pregnant Black and Latina women include New York and New Jersey.

Another compounding factor on these disparities is having an intersectional identity, such as be- ing both a Black person and a woman. According to John Hop- kins Bloomberg School of Pub- lic Health, Black women are “two to three times more likely” to die due to complications of pregnancy than white women, regardless of their individual education level. To help combat these concerns, in 2023, New Jersey Governor Phil Murphy signed Bill A-5516, requiring certain healthcare profes- sionals to undergo bias training. This bill serves as an unofficial update to Bill S703, signed in 2021 that would require only maternal healthcare providers to take bias training.

In Trenton, there are multiple organizations examining the root causes of maternal mortality and hoping to spark a conversation and start change. One such organization is the capital city’s own Trenton Health Team, which aims to work “toward equity” through “ad- dressing community conditions, social justice, and bias,” according to the organization’s website. Originally beginning as a response to the closure of Mercer Medical Center in the early 2000s, Trenton Health Team formed to improve the health of Trenton residents and provide quality healthcare. 

Additionally, recent developments earlier this year point towards the construction of a new maternal health center in Trenton as a part of New Jersey First Lady Tammy Murphy’s wider Nurture NJ campaign. Launched in 2019, the campaign, focusing on pregnancy and post-partum related care, looks to provide supportive environments for women to ensure their health needs are met.

As healthcare disparities continue to impact marginalized individuals, more local organizations are focused on spreading awareness to the wider Trenton community about maternal health resources. New initiatives, such as bias train- ing legislation and efforts from organizations, aim to address these concerns and allow for greater access to care for all residents. 

Te Veo: Tamara Torres’ Journey of Art and Activism

By Sakinah Ahmed

Tamara Torres, a Puerto Rican artist based in Trenton, depicts powerful and vivid scenes with varied mediums. To her, art is a form of activism and the pathway to change. Through her art, she brings awareness to issues that women of color face, specifically in the Trenton area.

In a new exhibition titled “Te Veo,” Torres explores various themes through 18 different pieces, including landscape paintings, conceptual sculptures, and collages. This solo exhibition was presented in La Galerie Adrienne in Trenton between Sept. 21, 2024 and Nov. 1, 2024. When describing her creative process, Torres said that she always starts with a blank canvas. She embraces spontaneity by not planning out what she is going to create.

“My paintings take about four to six hours, and my collages take around one to two hours to put together,” Torres said.

She prefers creating art in a more hectic environment with music and television shows playing in the background. “My brain works better when there’s a lot going on. When things get silent, I start to overthink,” Torres explained.

Torres’ art holds common motifs varying from her different mediums. One such motif is the “Shadow People.” To her, they represent constant survival. They are the people that she has known over her lifetime that did not make it. She described herself as “stepping on their shoulders.” She says, “They are spiritual guides so that I always remember where I came from.” Another common motif is the “Blind Eyes.” She said they symbolize how “people are aware but not aware. People don’t want to take action.” She continued to say that they are not pretty eyes, just as society is embarrassing and sad.

The highlight of the exhibition is an intricate piece titled “Te Veo.” Over the last year, Torres went through some big changes. She had just finished writing the play “Tres Her- manas,” which highlighted Afro-Caribbean themes through musical elements. During this time, she fell into a depression and felt inclined to stop creating art altogether. A friend of hers reached out and insisted that she paint a piece for a window display called “Windows of Understanding.”

 

To get back into the creative mindset, Torres collaborated on a separate piece, “The Awakening,” with the painter and muralist Louie Blaka. During the creation process, they only stopped painting to refill their brushes, and they remained silent. After the collaboration, Torres said she was reminded of why she is an artist. “When it’s [the art] in the future, and you’re [the artist] not there, it will be seen,” Torres said. She painted “Te Veo” right after this col- laboration.

When presenting her art in exhibitions, Torres aims for viewers to connect deeply with her art and experi- enc her pieces as she views them. “My goal is that people who look at my art stand in front of my pieces for more than five seconds,” she said. Every time a viewer looks at Torres’ art, they can take away something new, such is the nature of abstract art. Torres takes inspiration from poets, musicians and writers. Whenever she travels, she always visits book- stores to discover new authors.

 Some of the musicians she takes inspiration from are Queen Latifah, Nina Simone, Kendrick Lamar, and even varying classical musicians. Regarding artists, Torres said that “one of the greatest blessings is knowing artists. Anyone reading this article should find artist friends to bring joy and light into their lives.” Out of all of the many paintings she’s created, Torres said that “Te Veo” is her favorite. She is also very passionate about “Blind Eyes” and “La Luz.” 

When asked if she believes her art has the power to drive social change, Torres said she hopes it drives individual change, which is the first step to making a positive impact. 

Torres is determined to tell her truth and to inspire others to reveal theirs. Reflecting on her art, She gave the example of a glass of water with pepper floating at the top. With each added drop of water, the pepper changes and disperses.  Her message to every reader is that “you can’t change the whole world… you can get overwhelmed. … If you concentrate on your own drop to make the pepper change, then that is well enough.”

As an artist, Torres believes she must open doors for others and inspire artists wherever she presents her work. When she first started painting, she created art for the main purpose of financial stability. Now she said she paints for herself and does not concern herself with the opinions of others. She understands that her art may not be for everyone, but she said, “There’s someone, somewhere, that my art is gonna move.”  

Looking ahead, Torres hopes to one day exhibit a piece in the Museum of Modern Art of the Whitney Museum of American Art in New York City. She has also always wanted to exhibit in Egypt.  

Between intervals of laughter, Torres remarked, “Even if my kids put up one of my paintings in the bathroom of the MOMA, it’ll still count to me. And I’ll know I’ve made it.”